The phrase he uses is “nuance-challenged” and, speaking of lock-in, he observes that “a thousand years from now, when a descendant of ours is traveling at relativistic speeds to explore a new star system, she will probably be annoyed by some awful beepy MIDI-driven music to alert her that the antimatter filter needs to be recalibrated.” In a limited set of situations, MIDI can be an empowering tool for musicians, but because its use has become so widespread, it has ultimately had a reductive influence upon digital music. Lanier cites the MIDI protocol as an example. The result is that sometimes bad design becomes permanent. With the development of software, lock-in occurs when too many other programs become dependent upon it and the cost of change becomes prohibitive. I levy this criticism at Photoshop as someone who made his living with Photoshop full-time at MTV for three years. But Apple’s version would have an actually intuitive interface that doesn’t hide incredibly powerful functions three menus deep after a right-click. You can bet if they did that it would have basically the same functionality as Photoshop, and could easily be criticized as such. If Apple really wants to get people away from Adobe - and I don’t just mean in the NLE market, which they’ve got locked up, but in other creative areas, which they don’t have a stranglehold on - then, to go along with breaking their creative apps out of a suite (thus the new a la carte pricing), they’ll also announce a Photoshop competitor. But Apple’s implementation was just much more elegant. Yes, Premiere and Vegas have active indications of adjusted audio waveforms and built-in color correction features. I can say from watching the FCP X demo in person that there was a definite sense of “this is going to make editing much faster” - in a good way - in the room. NLE features are similarly design-dependent - after all, the programs all do similar things, on paper. There were a number of digital music players that had similar features to the iPod before the iPod came out - but the iPod blew them out of the water with better design. In response to the "it's all been done before" critique, I replied with the following comment (slightly edited): I say this partially as a filmmaker and partially as someone who was a designer at MTV for three years of interfaces that are still used by hundreds of thousands of people every day. Intuitive design is not something you can quantify in a feature list, and as such in these discussions it often gets short shrift. Read on for some thoughts on intuitive design and a few full resolution screenshots of the new Final Cut Pro X. It's not what features you include in a piece of software, it's how you design them. But a list of features does not an editing program make. In the case of FCP X, the criticism is that FCP X's list of new features ( seen on video) have been around for a while in other editing applications (notably Premiere and Vegas). You can’t change the frame rate of a timeline after you create it.Some have pointed out that many of Final Cut Pro X's much-lauded new features are not really that "new." This backlash seems to happen with every Apple product, perhaps out of response to the rapturous reception with which Apple fanboys greet the superlative-laced presentations. On devices without an HDR display, timeline clips won’t look accurate.įrame Rate: Choose from a list of common video frame rates. Choose HDR (HLG) only if your device has an HDR display (for example, the 12.9-inch Liquid Retina XDR display). Orientation: Choose Landscape (horizontal) or Portrait (vertical).Ĭolor Space: Choose HDR (HLG) or SDR (Rec. The minimum frame size is 2 pixels (in either dimension). The maximum frame size is 4096 pixels (in either dimension). Resolution: Choose the frame size for your project (4K, 1080 HD, or 720 HD), or create a custom frame size. Use automatic timeline settings: Tap Create Timeline to have Final Cut Pro set the orientation, resolution, and frame rate to match the settings of the first clip you add to the new timeline.Ĭhoose custom settings: Tap to the right of Format, tap Custom, then choose the following settings and tap Create Timeline: To rename the timeline, tap the default name, enter a new name, then tap to close the onscreen keyboard. In Final Cut Pro for iPad, tap a project in the project list (on the left side of the Projects screen).īelow the preview image, tap next to the timeline name, then tap Add.
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